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All Titian Oil Paintings
 
 
Titian Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
1523-24 National Gallery, London
Titian3.jpgPainting ID::  1676
 

 
 
   
      

All RICCI, Sebastiano Oil Paintings
 
 
RICCI, Sebastiano Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
c. 1713 Oil on canvas, 189 x 104 cm Chiswick House, London
new1/RICCI, Sebastiano14.jpgPainting ID::  8924
 

 
 
   
      

All Jacopo Tintoretto Oil Paintings
 
 
Jacopo Tintoretto Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
mk68 Oil on canvas 4' 9 1/2x5' 3 3/4" Venice, 1576 Italy
new4/Jacopo Tintoretto-457727.jpgPainting ID::  30515
 

 
 
   
      

All Titian Oil Paintings
 
 
Titian Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
mk170 1522-1523 Oil on canvas 172.2x188.3cm
new16/Titian-286834.jpgPainting ID::  43040
 

 
 
   
      

All RICCI, Sebastiano Oil Paintings
 
 
RICCI, Sebastiano Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
mk170 1700-1710 Oil on canvas 75.9x63.2cm
new16/RICCI, Sebastiano-587885.jpgPainting ID::  43268
 

 
 
   
      

All Titian Oil Paintings
 
 
Titian bacchus and ariadne oil painting reproduction


bacchus and ariadne
mk247 1520 to 23 ,oil on canvas,69.5x75.25 in,176.5x191 cm,national,gallery,london,uk
new20/Titian-375442.jpgPainting ID::  56008
 

 
 
   
      

All unknow artist Oil Paintings
 
 
unknow artist Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
1520-25 Marble, height: 56 cm Kunsthistorisches Museum, Vienna In Venice, during the closing decades of the 15th century, a pure classicising style, derived from Andrea Mantegna, was introduced. Tullio Lombardo turned to classical sculpture proper for his guiding force. His portraits of young couples in high relief (the other is in the Ca' d'Oro in Venice) were inspired by antique funerary busts, but the sculptor completely rejected naturalism. The simplicity of the volumes and the sobriety of expression are set off by decorative refinements which depart from the antique schema. They include embroidered hairnets in the hair and meticulously designed sinuous locks. His Bacchus and Ariadne shows him at his most lyrical, under the influence of the Humanism at the Gonzaga court at Mantua, where he worked for Isabella d'Este in 1523 and 1527
new21/unknow artist-846579.jpgPainting ID::  63552
 

 
 
   
      

All Alessandro Turchi Oil Paintings
 
 
Alessandro Turchi Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
Oil on canvas, 114,5 x 147,5 cm cjr
new25/Alessandro Turchi-737848.jpgPainting ID::  87921
 

 
 
   
      

All Giambattista Pittoni Oil Paintings
 
 
Giambattista Pittoni Bacchus and Ariadne oil painting reproduction


Bacchus and Ariadne
1720s Medium oil on canvas Dimensions 171 X 130 cm cyf
new26/Giambattista Pittoni-898645.jpgPainting ID::  97275
 

 
 
   
      
Giambattista Pittoni
  
(1687?C1767) was an Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice. Pittoni is best known for his "grand-manner" canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758?C1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo's, for his lightness of tone. Besides Tiepolo, Pittoni's influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.
Bacchus and Ariadne
1720s Medium oil on canvas Dimensions 171 X 130 cm cyf

Related Paintings to Giambattista Pittoni :.
| Winslow Homer--Eagle Head, Manchester, Massachusetts (High Tide) | Henri Fantin-Latour--Roses in a Bowl | Rembrandt Harmenszoon van Rijn083 | Beaulieu The Bay of Fourmis | Cenni di Francesco (Cenni di Francesco Cenni di Ser Cenni), Italian first documented 1369, died 1414 -- Adoration of the Magi | | livingstone halsas av hovdingen i en avlagsen djungelby | Evening Glow, The Old Red Cow | European city landscape, street landsacpe, construction, frontstore, building and architecture. 143 | The woman taking the fan | Long Island |

        

 

 

 
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